July 31, 2014

Uneasy lies the head that wears the crown.   Shakespeare said that in Henry IV.  And he could just as well be talking about Caesar;  that would be the Ape Leader Caesar in Dawn of the Planet of the Apes.    The new film is a marvel of technology and filming in CGI.   Having re-watched Rise of POTA, before seeing this, it is quite remarkable how the stories continue on but are stand alone entities.  You do not need to see one really to watch the second.    Some characters are interactions, true, and stem from the first one (Caesar who freed all the apes from the testing facility) but otherwise a fresh story.     Fresh but not new.

As a story we have a leader of a fledgling society who looks to want peace and harmony.   Family and a life of calm is the desired situation.   Caesar is the leader of the apes in the redwoods outside of San Francisco.   The virus started at the company where his “father” worked has spread throughout the globe and killed most of human kind.    There is a small group of human survivors who have a settlement there.   They are running quickly out of power and need to get their technology working again.   They set out to turn on a dam in the woods and run into the apes.

From there the story gets Shakespearean with the two leaders and underlings trying to work an uneasy truce, where many are suspicious and distrustful and have their own agendas.   Leaders cannot always control their underlings, nor know what they do.   There is family here too, and the son of Caesar who is influenced by others around the leader who have their own life experiences to rationalize and operate under.

I liked this film but I confess that I had a pre-disposition to WANT to like it.   Still it also means that I have higher expectations and hope that they don’t “screw it up”.   In fact, I think that they have done an admirable job here.   Worthy of a second viewing.   Part of me wishes that MORE of the original series and intent would get translated here but that simply is not the case.

Originally Caesar (the son of Zira and Cornelius) is a leader of apes who had been made slaves by the humans.  They were initially pets, because dogs and cats inexplicably died off,  that eventually became slave labour.   All of this began of course when astronauts went out into space and returned to a planet ruled by apes.   As we later found out, the planet had been destroyed by nuclear war by the same humans.   There was plenty of political satire and the judiciary (a court case with ape laws ruling “humans have no rights”) as well as the Minister of Science who doubles as the Minister to Keep the Faith (Dr. Zaius).    I also miss the music of the original.     There is more of an adventure feel with more gun fights and battles.   That’s not necessarily a good thing, but here it works.

Of the movies I have seen so far this summer, this is the one that I like the most.   I am pleased that it lived up to the hype and expectations.

This weekend it was the RedBox rental of The Hobbit 2: the Desolation of Smaug.

I purposely had avoided this movie in the theatres and chosen to wait for when my investment would not be as harsh as a theatre ticket.  Spending $2 for Mr Jackson’s second installment of the slim book was better than $12.

First off, I find this very slow.  It takes forever to get things moving.   As much as the first one drags, and lingers far too long in scenes that could be characters putting on their shoes or cleaning out ear wax, this one continues in the plodding nature of the plot.    There are interminable scenes of walking again.  Or riding horses.   Moving from place to place.   The added bonus was the barrel ride in a rapid river with Orcs all on the sides shooting arrows and trying to kill these dwarves riding on a barrel (I can foresee the amusement park ride already!!!).   Yet amazingly I remember none of this, or even much in this film from the book.   There is much added.   Backstory to tie this one more to the LOTR (the albino Orc talking with the Master and speaking of impending war).    But also the Romeo and Juliet budding romance of dwarf and wood elf!   Poor Orlando Bloom (Legolas), he simply just can’t get the girl and will lose out to a guy half his size (now there is a blow to the ego!).    It is an overblown couple of hours, including the distracting part in the seaport with the slovenly leader who has overseen the erosion of a great City which the dragon took down years ago.   Ah, and then there is Smaug, who FINALLY shows up in the film after 90 minutes.   I never recall him speaking in the book.   But here he is full of conversation and bravado!   The visuals are impressive, but the conversations are not.     I do note an inconsistency in the story where Bilbo when wearing the ring, can hear the spiders talking in English amongst themselves, but not when he takes it off.   Curiously, he can hear the dragon with and without the ring.    In the end, an unsatisfying middle frame with the dragon heading off to destroy the sea city once again and Bilbo saying “What have we done?”    Suffice it to say that I will not rush out to see Hobbit 3.   I really preferred the book over the book series LOTR.  It was everything that LOTR was not; short, and moved along well, with a plot that was focused.   Sadly, it has been made slow and overly descriptive with unimportant sidebars that make it clumsy and weighed down.

Getting back into TV.   Can’t say that I feel the same compulsion as you.   Yet, you always seem  to find these quality foreign series that are intriguing and interesting.    Can’t say that much on this continent is worthy of that.   After Breaking Bad and seeing that in a marathon of sorts, I have not been back to TV, although I would like to catch up on HomeLand, which I do enjoy.   I also would like to follow up (if it has been produced) to the UK series with Gillian Anderson about the serial killer (The Fall).    I did catch the first episode of Turn with Billy Elliot and enjoyed that.  Missed episode 2.   NHL Playoffs are consuming much time!

You mentioned X-Files, and I saw quite a few of those episodes.   I think it was well put together with intriguing stories.  I think that Anderson and Duchovny both were excellent in it.  Played their roles well and were convincing.   There are people not doing enough work (Daniel Day Lewis, Edward Norton, Ryan Gosling) and Anderson comes to mind as well.    She is likely reaching that “over 40” mark which usually means an end to a career for an actress (unless your name is Streep or Dench).   Paging Debra Winger!

On to the review.  I went to see Transcendence in the theatre on Saturday night.   This is the Johnny Depp movie where he plays a brilliant computer engineer (A.I. prophet of sorts) and then has someone take an attempt on his life.   Turns out this person (a small cameo role by the Dumbo-eared actor kid from Witness) is part of a group that has led a well planned terrorist attack on A.I. labs and facilities.     Depp’s close Wife and friend eventually are determined to save him by “uploading” his brain waves/consciousness/thought patterns onto a powerful computer that he had worked on.   The rest is the developing story that pits the competing forces in this modern technological life examination that was explored in Her.   What is consciousness?   Can a computer become self-aware?    What makes us human?   Is there another level of evolution or development available for the human race?     The story is muddled and not terribly focused.   There is a romantic aspect of what is going on, but the real trouble for me is that you don’t really know who the “good guys” are.     Perhaps that’s the point in that there are no black hats to be worn, and all well-intention people who can take a good thing is morph it into something more sinister.    Sinister from a status quo point of view.    One group’s terrorist is another’s freedom fighter.   People fear what they do not understand, and after the credits role here, perhaps most people should fear this movie.

There were unexplored and unexplained aspects of this film.  For the most part you had an existing government that turned a blind eye to what was occurring, even when they were offered an open invitation to come inside and look at what was occurring.   But like About Time, there is a point at which that level of disbelief and looking for rational and reasonable explanation should be turned off.    It hurts the brain too much.

Post movie I read some of the reviews on Rotten Tomatoes and have to concur.   This is a subject matter clearly worth exploring (Her, Terminator and now this) yet I think it deserves a better story.   The issues are real.   They are timely.    And despite the movie, they shouldn’t be as confusing nor boring at times.

Last weekend I ended up see The Impossible with Naomi Watts and Even MacGregor.   An interesting side story there – we have a guy working at the Bank who has done work in Hollywood (acted in Honey I Shrunk the Kids, and done plenty of stage and screen work.   He hates Donny Osmond from working with him on Joseph and Amazing Dreamcoat.  He says that McGregor and Nicole Kidman got it on during a filming and she got pregnant from it – while she was with Tom.   Then she later had “a schmush-mortion”)  For what it’s worth!  Here in this movie we have the true story based upon a Spanish family, parents and three kids who survive the Tsunami in Thailand at Christmas time a few years back.   I was amazed to see that they used ‘real water’ and not CGI for it.  Impressive and wild getting that on film.   Quite a story – incredible that Buddy would leave his two boys with strangers to watch over while he looked for his Wife.   Remarkable!!  It is a compelling story with some major coincidences.   Still I wonder why the acting couldn’t have been done with Spanish actors?    Why on the Extras do they say that Naomi was “perfect” for the role of the Mom??!

Last night I rented About Time.   This is the (somewhat) romantic comedy about the red headed young man who has men in his family that can travel through  time.   His Father tells him matter-of-factly on his 21st birthday.   It is a casual conversation that trivializes the gift that he has been given.   In many ways you would think that the gift would be better served on something better than “getting a girlfriend”.    There are some decent comedic moments (one in particular is an Extra that was cut from the film about Abbey Road).   You need to suspend your disbelief almost from the beginning.   Things like the Butterfly effect doesn’t get explored – one little change in one place significantly altering everything that happens around it.    Not sure about the chemistry between the leads here with Carrot Top and Rachel McAdams.   Perhaps there is a part of me that thinks she is still with Ryan Gosling.    Anyway.   The last 30 minutes of the film get more serious.  There is an exploration of helping out other family members in various forms.   Ah the troubles with time travel and what happens if you mess with things, or try and press the reset button.   Even if it just for a few moments.   I think that you will find that last section fairly compelling.    The overall message is interesting, yet I still think that such a gift could be better utilized for the greater good.

Last night I saw Lovelace, with a cast that deserved a better movie.   $1.50 rental at Red Box.   Amanda Siefried willing to go topless.   Peter Skaarsgard playing Ike Turner pretty well as the young charmer who turns out to be an abusive controlling guy.   Ironic twist in cameo role with Eric Roberts playing a guy giving Linda a polygraph (Star 80 anyone) and his issues with Hugh Hefner.    Sharon Stone is almost unrecognizable as Linda’s Mom.    Robert Patrick plays the Father.    Other notables sprinkled throughout the cast.    Here is a muddled story that jumps around from  time to time and then back again.  Almost playing itself out as the fairy tale and then the more deep and dark and sinister bits thrown in.   Porn is an ugly business where only the top of the house is making money.   Others would argue this is the same for the entire movie industry.   Here we have darkness and this story, yet no real showing of the BJ ability that had everyone aghast (but no kidding on that front).     Can’t recommend this.   I am going to seek out Senna and see about maybe seeing Noah tomorrow.   Unsure if that is a good idea or not.

As an aside, Traynor in the movie who was married briefly to Lovelace, was later married to Marilyn Chambers who was almost as famous as Lovelace in the same industry.   He must have quite the connections in the business.     Certainly he did not take his own life after Lovelace left him.

Divergent.  I went and saw this last night.  To say that it is looking to springboard off the successes of Twilight and the Hunger Games would be entirely accurate.   Take a young female lead and put her into a futuristic story that involves worldwide domination.   Here, more like Hunger Games it is a futuristic world, where there is Big Brother/1984 organization for a post-war New World where conformity is the societal mantra.

Star Shailene Woodley is very good, but here she has very little to work with.  I like her and think that she was excellent as the eldest daughter to George Clooney in The Descendents.    The story here is pretty basic, yet unexplained for the most part.  As in many situations, you have to put aside logic and just go with it.   Or you are left with questions like:  so they put a wall around Chicago and set up this secular society (in houses much like Harry Potter, here called Factions) but then you don’t have yourself as the leader of all these factions.   Much of the history is foggy.   Or, why as part of this coup that is being undertaken is it necessary to wipe out an entire faction who has shown no weapons nor any aptitude for aggressive tactics?   Where are the adults in the more aggressive and protective faction?

Romantically, there is virtually no chemistry between our two lead performers.  He is channeling Keanu Reeves very well in playing dim and monosyllabic.    The relationship hinted at not-so-subtley early becomes more full blown as expected, and as a father of a 16yo girl I was very happy to see that our heroine actually utters that she does not want to “rush things”.   Thank God!!!   She’s 16!!!!

In the end, the movie as a first installment does not have me clamouring for more.   I feel no  compulsion to buy the books, and will let my daughter read them if she chooses.    I feel no need to see another one, except with the hope that our heroine is put through some more interesting challenges.

In the Trailers, there is the new Shailene movie called The Fault in Our Stars which mirrors it seems A Walk to Remember with a presumably dying young woman with a terminal illness who finds love when she feels it is something that she should not have.   Miss Woodley has cut her hair, but it seems like quite the tear jerker.

June 11th, 2014

So this past weekend I rented from Red Box Three Days to Kill with Kevin Costner.  This movie isn’t really sure what it wants to be.  How many movies do we need to see where the contract killer has had enough and wants to hang it up and get reconnected with his suffering family?   This genre has been done better by others.  And the story makes more sense.   Here Costner after a few coughs and sputters (a movie cliche for a hero with an illness) finds out that he is terminal.   Query whether he could even be walking around with what he is alleged to have.   Anyway, he is approached by an ‘agent’ who wants and needs his skills to eliminate a bad guy.   In exchange, he gets to have an ‘expensive experimental drug’ for his ailment to give him some more time.   And all of it really is cliche through the conversations with the long suffering (ex?) Wife and teenager.   It all comes down to a rather predictable conclusion and another $1.50 spent when I am glad it wasn’t $20.

On to Monument Men, the WWII story of American scholars who follow the war to ensure that art gets protected.  The bad Nazis and Hitler have been gathering up art treasures from all conquered countries and as the War has turned, there is a theory that they will destroy all this art.   Cue the Americans to help save the day.   This was slow.  There were some nice scenes of familiar places like Paris and Brugge Belgium and art that I have seen (like Madonna and Child by Michaelangelo) and other paintings.  Still the contrived ending with the Russians gets a little silly.   Also the female (Cate Banchett) and Matt Damon storyline is weak.   Another $1.50 that I won’t get back and I gained no real insight.   The landing dramatically on the beach in Normandy walking through the water was ridiculous as in July 1944 (a month after D-Day) they would have docked at the port and walked off.   No wet feet required.   Strolling around a park area as well with a War going on is not really a good thing to do either.

June 2, 2014

Saturday night was a chance to see a movie that I had not seen in years.

Decided to watch Clint Eastwood’s Man With No Name and the spaghetti Western The Good, The Bad and the Ugly.

What struck me on viewing was the music by Ennio Morricone and how it adds greatly to the film.   I can hear traces of other movies like The Untouchables and The Mission there which were later done by him.    But it is simply a great score and makes it a much better viewing experience.

The movie is long and you can feel it.   It takes its’ time but there is good development there and a story that moves it all along as one mercenary after another searches for one another and the buried treasure.   IMDB says that the $200K of gold that they were seeking in 2010 dollars would be worth $10MM.

Clint is very good and has some excellent one liners.   Van Cleef plays sinister very well with an unsympathetic villain who will do whatever is necessary to find the gold.   Finally there is Eli Wallach (remarkably still alive as of today!)   He is so very good here, and plays that scoundrel who manipulates and lives for himself looking to gain an upper hand somehow and somewhere.    I had forgotten how funny that this movie was.   There are some good one liners and despite the obvious dubbing for everyone but the three main characters, it does not take away from the film.

I can see how some aspects of story and filming were later borrowed by Clint as a Director for Unforgiven.     This movie shows how the criminal search for treasure film can work and be done simply.    Not fancy sets.  No extensive dialog and in fact I think that there was a motivation to have them say as little as possible.

An evening well spent for when there was no hockey on.   I will catch the latest episode of Turn tonight.

P.S. This movie was released in 1966.   Scary to think that 48 years have passed.  But it still holds up very well.

May 26th, 2014

This past weekend it was a kid weekend and I decided to get The Secret Life of Walter Mitty for the $1.50 Redbox price – now a box literally outside my condo and a short walk.  Brilliant.
Sadly the movie was not anywhere near as brilliant as the location of my new rental location.   I asked my step-father about the original with Danny Kaye and he said that Kaye was excellent in the role.   The dream sequences made sense and he thought that the film was good entertainment.
Here we have Ben Stiller, both acting and directing.   Sad to say that the overall premise is lost and some quality cast members are not well utilized (Sean Penn and Kristen Wiig).   Stiller is working for Time Life Magazine for many years and has a vanilla life as anyone could have.   He lives alone, works, and repeats.   The job is changing as his magazine has been acquired and moving “online”.   A favourite photographer (Penn) has sent him his best work but it is missing.   Stiller is anxious to see it as it is supposed to be the last hardcopy cover of the defunct magazine.    The new management wants to see it as well.
Mitty’s dreams generally make him a hero and exciting and interesting.  They take him away for short periods of time.   Then he takes on a travel log to seek out his globe trotting photographer and ask where his picture was.
The pictures are pretty.  Sites in Greenland and Iceland are all spectacular is Forrest Gump-like panorama shots.  Mountains, lakes and snow have never looked so nice.  Too bad it is all so very inane.
Even the simplest of people would likely have spotted the location of the sought after cover shot.  There is a budding romance but it is lukewarm.   It is bland and vanilla as the rest of this film.   I would liked to have seen Wiig have a challenge and more of an impact.
This was not worth the money nor the time spent.   There are others like Monuments Men that are there to see.   Ben Stiller might wish to re-think this whole directing thing unless he secures a writer who tells a good story first.   Having a travel log through pretty countryside and having a studio pay for your summer vacation isn’t the best move for a career.
For what you likely spent on Sean Penn….others could have been utilized better.    Star power not required.
Appears from rottentomatoes that the cost of the film was around $90M and the box office was around $56M.
I wonder if the studios could ever negotiate a deal with the actor trying to make the picture that they not only forego their own fees to be director perhaps, but also take a percentage of the LOSSES!     Nice to hear that actors like Cruise get a % on the income when it’s a hit — they should conversely LOSE money when it’s a flop!!   Guess we now know why I never represented actors as an agent.

November 28, 2013

First was a recommendation from a woman I dated a couple of times, called Cafe de Flore.  Vanessa Paradis is in it, Johnny Depp’s Ex.  It is a Canadian film which spans two times and places.   First Montreal in present day, and then Paris back in the late 60s.   Paradis is a woman in the late 60s who has a boy who has Down Syndrome.   Her man leaves her because of it.   She makes it her mission in life to see that this boy gets a normal upbringing.   She is very dedicated.   Pop back to present day Montreal, and there is a 40yo DJ who has two daughters and a girlfriend.   He split with the Mother of the girls.   There is his story and their story together of this guy and the Mom of the daughters and how they met.  In the end the stories impact one another and I won’t say how.   But in some ways it was disturbing.  This movie stayed with me the next day but not really in a positive way.  There was negative there and a feeling that there was betrayal.   Rotten tomatoes had thoughts on this movie.  This woman I dated raved about it.   I was not so enthusiastic, but I can understand why she liked it.
Next I went to see Dallas Buyers Club Tuesday night for Cheap Tuesday.   Matthew McConaughey has done a Robert De Niro effort in losing weight and getting into character here.  Playing a womanizing, drug snorting, blue collar electrician red neck very well.   He finds out on a routine check that he has HIV.   Immediately he thinks about Rock Hudson and articles about him being gay.   Matthew’s character is homophobic and finds the news unbelievable.   The doctors give him 30 days to live.  Give him time to “get his affairs in order”.   He is a wily guy and looks to obtain the new drug AZT to fight the illness.   Ultimately he lands in Mexico and gets to know and understand more about the disease.   He looks to take vitamins and build up his immunities but also being entreprenuerial and bring this concoction back to the US (so far the FDA had not allowed these items).   They are not all drugs, in fact many are not.   Still the FDA sits by while people panic who are dying justifiably.   The story unfolds and we see the battle here, as this guy tries to beat the system but also (ultimately) to learn to help people.    There is a Best Actor award nomination here.  Could even be a Best Supporting role for Jared Leto who also lost a ton of weight!    There are moments for both of them that they are scary in colour and in body shape.   This is worthwhile seeing.   Good performances and an interesting story.    The red neck aspect of it plays out really interestingly too.

November 3rd, 2013

12 Years A Slave – This is a powerful story, that is slow at times.   Well acted with a particular nod to the main actor (Chiwetel Ejiofor) who will get a Best Actor nomination here.   He is excellent, and more for what he doesn’t say than what he does.   He has such an expressive face and eyes, that he speaks volumes about what he has endured.   This is an important and necessary story to be told.   It won’t win favour in the Deep South and I wondered about any compensation that was ever considered for slaves and their families.    Hell if the Indians can get compensation from us, and the Japanese from WWII internment, surely here too.
Winter’s Bone – watched this on Netflix as I wanted to see the earlier Jennifer Lawrence Academy Award nomination.   Had not seen before.   Another slow, plodding along story that is very simple.   Family in boondocks, nowhere USA (likely West Virginia) has teen girl (Lawrence) taking care of two younger siblings and her Mom who is basically incapable of action.   She is everything on this little house and land.   Then the law shows up looking for estranged Dad and says if he misses his Court date, that the house will be lost as it was put up for bail.   Lawrence goes off to try and find Dad.
It seems to me that roles with a wide range and tremendous range of emotion do get the nods for awards.   Here Lawrence shows this. She did not win.  A resilience but also showing deep and powerful emotion.   Hanks does this as well in Captain Phillips.   Each principal role in the three movies reviewed here have it.   So it has been a good week for films.  More to come.
Captain Phillips – seen earlier in the week.   I am glad to see this.   Hanks will also likely get an awards nod for this role.   There is truly a part of me that thinks if the money spent to deal with these pirates was just given to them (or their country) then many of the problems could be solved.  Think of the money and men spent to mobilize against this situation, and the lives that were put at risk.   In truth I did not see as much of the political message here.   Yes a people who have very little are looking to survive, but being modern day pirates does not seem to be to be a sympathetic path for them in their quest.   The supporting cast was very good, especially the Ethiopian leader (Barkhad Abdi).

October 7th, 2013

Last night I went to Colossus and saw Gravity.   I saw it in 3D, big sound, assigned seating (as big as it can be!!) and this was a fascinating film.   Starring George Clooney and Sandra Bullock and virtually no one else (Ed Harris’ voice) it is an Apollo 13 like movie set in space.   What happens is not going to be discussed here.
What is important, to me anyway, was the scenes and shots from space in a present day looking film with today’s technology.   No one is beaming aboard anything.  There are no hi-tech jump suits (Star Trek) but rather bulky and cumbersome space suits which protect one from the harsh elements.   We think of space as this adventurous and fantasy place when in fact it has stark realities of air and warmth and water which are crucial to human survival.   Space is filled with danger and one needs to respect that if they are going to work (and live) there.  A more realistic recognition of this helps, even though there are moments in order to making a movie This is a movie worth seeing.   I wish I saw it at TIFF.   There is a range of emotion here that was unexpected for me and provided more reason to enjoy it.   Sandra Bullock  is very good.
See this one.   I would even see it again.

September 10th, 2013 – TIFF edition

I wish that I had the gift of prose and language like the late, great Roger Ebert, especially when I have seen a remarkably bad film.   He would have a way with words that would put a film in its rightful place.

Last night was such a film with the premiere of Under the Skin with Scarlett Johansson.   It was billed as a “sci fi thriller” with the director and star attending live at the performance last night.   They gave away free McDonalds coffee in the street as we lined up waiting to go in.  It’s a good thing.   The audience would have fallen asleep from boredom during this debacle.
This is a movie where I am glad that the Director before it was viewed stated “this is a film from the perspective of an alien and how they would see us”.    Helpful because I would be unaware (virtually) without that context.    Here we have visual images that mirror 2001, and some in Tree of Life and even Prometheus of Scotland (an opening sequence shows a lake which becomes a kaleidocope).  There is distracting music throughout.   Then the basic storyline has an alien (Scarlett) who is anxious to reveal herself to the camera but then does very little.   She hunts unsuspecting locals who happen to walk around Edinburgh at the wrong time and meet the wrong woman, who is driving a van that we are uncertain how she obtained.   She chats them up and is pleasant.  This carries on for quite some time.   Then something happens and she has a change of heart, and also goes mysteriously silent.   The rest is a strange and convoluted mess of very little action and confusing situations.
I wonder how this was positioned to Scarlett by her agent?   “Do this Star.  It’ll show people you are bold and willing to be naked.   It’ll bump up your status like it helped Jeff Bridges in Starman (he got a nomination for his role)”.  She was sold a bill of goods.   Starman is an infinitely better film about an alien visiting the planet.   Bridges is infinitely better.   Damn, even Keanu Reeves (Woah) is better in The Man Who Fell to Earth.    There are just so many unanswered questions.  Why does she do what she does?   What purpose does she have here?   Where does she get the money for clothes and a van?   Why the change of heart?   What happened to the men early on and what was the purpose?   Why did I sit through until the end of this film?    Why did people clap at the end?   I can only suggest on the last question that those who clapped along to the music for the L’Oreal cosmetic commercial and clapped for that are the same ones who clapped at the end.
Young and Beautiful was a Belgian film, in French with subtitles.   It was well reviewed by Now Magazine.   It is a coming of age story about a good looking 17yo who has her first sexual encounter on vacation in the summer near her birthday.   She then returns to the city (Paris) and begins turning tricks as a prostitute.  Why again is not answered.   For a 17yo, in some ways this makes sense.   I enjoyed this film more.   It will likely not be in your local Cineplex.   The principal actress attended the film.  She was painfully shy at the microphone on the stage but on film takes her clothes off without issue.
My history with TIFF as far as quality movies goes is not very good.   I enjoy the experience and the vibe in the city – you can feel the excitement with the crowds.  It is a good crowd too.   Intelligent, good looking, patient and interesting.   There should be a TIFF Speed dating event where you get free admission if you show a film ticket.   People chat easily in line and are not all Torontonians obviously!!
Third Person.  Yesterday’s film experience was much more satisfying for me.   It was the new film from Paul Haggis (Canadian) who won the Oscar for Best Picture for Crash.   Ironically this is a much maligned choice now, like Ordinary People winning and not Raging Bull or Shakespeare in Love rather than Saving Private Ryan.   But I digress.
This movies has many stars with Liam Neeson, Kim Basinger, Mila Kunis, James Franco, Adrian Brody and Olivia Wilde.  Brody was present at the Festival as was Haggis both before and after.   This story had multiple stories running simultaneously (as with Crash) and then they come together at the end.   It is a long film (over 2 hours) and by the end I was feeling the time.  Basically it is a story about trust.   Haggis himself called it a story about love, in all of its forms, but for me I see more issues about trust in it.   That being said, the storyline has various characters and you must pay attention as to what is happening.   Neeson is a writer who is working on his next novel.  He sits in a hotel room.  Typing away.   There are various people and interactions here with a theme of trust.   There is heartache and joy.  There is pain.   I will not delve further into the plot.
I enjoyed this movie, especially given Under the Skin two nights ago.  Alison found it long and the payoff not as satisfying.   I could relate heavily to the Neeson story and that helped me with the understanding and enjoyment.  In my previous relationship with a woman from Texas, I had been lied to, and manipulated and deceived on numerous occasions and here on screen was a similar personality (played by Wilde).   So that added to the familiarity.
I do not need to rush out and see this again, but I am glad that I saw it.

September 3rd, 2013

Plenty to talk about here.  Lots of movies over the past few days.   Saw a couple with youngest son.

Two Guns – Marky Mark and Denzel.  This was a lot of fun I have to say.  I went in with few expectations and although the story gets really turned upside down, and convoluted, it was enjoyable to watch.   Marky Mark does a decent job as has some good lines.   Denzel avoids biting that bottom lip but then again, he has no really emotional scenes to deal with here.   Storyline is a robbery gone bad and you wonder who may be double crossing whom.  Worthy of a rental at least.
Gatsby – Leo plays the party-throwing young man looking to impress.  The whole deal about “modernizing” this by having Jay Zee do some songs etc is really not important to the story.  The CGI looks really CGI with the cars graphics and the house/mansion scenes.   The story (unknown to me before viewing) is fairly straightforward and I won’t spoil it here.   Suffice it to say that I could relate to what happens to the main characters and can agree with the underlying them.  You’ll know it (the theme) when you see it.   Tobey McGuire is good here and supports Leo well.   The other main male character too is also good.   This was better than I had expected.
Epic – the animated film about the forest and the Queen of the “good” forest dealing with the “rotten” part of the forest.   I avoided thinking about Beyonce as the Good Queen and was more interested in Christoph Walz playing that “rotten” guy leader.   This is not in the league with the story against Pixar and Finding Nemo, but there is some clever animation.  Nice scenes.   It did not really keep youngest son’s attention and that is a big barometer for me.   Neither did Hugo BTW.  Tried but he could not stay with it.   So worthy of a download or a cheap Red Box ($2) for me.

August 20, 2013

So on Sunday after a week with the kiddos, I went out to see Elysium at the theatre.   I have not done a full compare and contrast to Oblivion (since I have not rented that) but that is to come.

As for this movie on its own merit, it was okay.   Same director as District 9 that we both liked.   Have to say that I think the choice to use the protagonist from District 9 here as a baddy was a poor choice.   Despite the foul language and general distemper from a person ACTING as a sociopath, you don’t get that sense about him.   It’s like asking Mister Rogers to come and set your house on fire.   He likely can do it, but it is completely out of character and not what you expect.

Oh and Maaatt Daaaaamon is here.  Did you know that?   Well here he is an adult version of a small kid who is part of the proletariat.  The rich people have left earth for their palace in the sky.   Earth crumbles with crime and over-population.  So there is a class struggle.  The story then unfolds in a relatively predictable manner with an issue which forces Matt’s hand and it coincides with another event which puts it all into a nice tight little package.
There are a number of moments when in the movie I said “Well isn’t THAT fortuitous” – kind of like Superman and how Lois Lane gets invited on an alien space ship.   Answer:  it is a plot requirement to keep it rolling.
Don’t run out to see it.  It is alright.   A cheap Tuesday would make sense.  But otherwise it can be a rental.   Perhaps you can watch and tell me which accent Jodie Foster is trying to portray here.  French?  English?   English by a French person?   I dunno.