June 6th, 2016 – D Day edition

For this week I was able to see Jane Wants a Boyfriend, as a download.   It didn’t make it into the theatres it seems around here.   This is a story about a young woman (Louisa Krause) in her late 20s or so who lives with her parents and has an older sister.  She has Asperger’s and Mom and Dad look after her.   Big sister also plays a hand in taking care of her,    Big sister is an actress and engaged.   Mom and Dad we soon find out are looking to move from Brooklyn to New Jersey.   This changes life somewhat for Jane who is high functioning but socially awkward and painfully uncomfortable.   She watches romantic movies and wants a relationship.   The story continues from there and was interesting and engaging.   No known actors to me (except Mom who was on thirtysomething forever ago).   This plays out in some ways that you won’t always anticipate.   I liked the characters and cared what happened to them.   Everyone has their own challenges and they grow and learn.

Worth a look, especially if you hope to gain a little insight into those with these challenges.
I watched Love on Netflix, which is done by the same director who did Irreversible a few years back with Monica Bellucci.   Dude really likes the darker erotic side of life.   In Irreversible, there was was a horrific rape sequence that many felt went too far, here it is basically full on nudity, penetration and sex on screen.  I don’t have the 3-D TV, but it was filmed in 3-D and there is a scene in particular that would be alarming and funny in 3-D I have to admit!!  Anyway, this disjointed story tells, in time shifts, the relationship between a French girl and her American boyfriend.   They explore their sexual lives together and things happen which impact them.   There are highs and lows, with rage and frustration.  Some actions just have nasty and ongoing consequences, and this is shown here.  I watched in two segments as it was very long — and repetitive.   I cannot recommend unless you seek out some titillation – but even then it gets monotonous and slow.   The movie moves at a snail’s pace and the French female lead is sometimes hard to understand with her accent.   See if you choose, but you’ve been warned…

May 30th, 2016

On the airplane on the way to Iceland I watched Creed.  I had heard a decent buzz on this, including your review and I watched it.  I thought that this was well done.  It kept me engaged.  I liked the story about the young boxer.  I felt that Stallone shied away from making this truly a darker film by having the “you fight and I will get treatment thing”.   I think that his acknowledging that he had very little left to look forward to in life (the whole concussion and later issues with brain disease being completely ignored) would have made it more interesting for him to pass away.   But anyway, the fight sequences were good, and the kid was good.   Too bad that they found Felicia Rashaad rather than the original Apollo’s Wife.   Not sure where she would have gone.  Anyway I did like it.

I saw a few episodes of Season 1 Game of Thrones.   I enjoyed.
I also watched the Air episode of Cooked where they talk about bread.   I had decided to make baguettes at home from scratch yesterday and this was poignant and timely for me.   The observations about glutton intolerance were very interesting and the whole breadmaking process.  I also watched the documentary on wine and Sommaliers.   A good overview of wine and the process.  Interesting scenes and shots of wineries mostly in Europe.   Well worth it.

May 2, 2016

Certain movies don’t always translate well to all age groups.  We have talked before in movies like Terence Malick’s Tree of Life or To The Wonder where a younger audience member without the life experience cannot interpret the images in the same way someone in (cough) middle age would.   As an aside, a real life example of this happened in seeing the musical play If/Then a week ago.   There is a scene where the main character makes a decision to kiss a very married man who she is working with and a younger woman in the audience behind us made an audible gasp, and was shocked by the behaviour.   This was a moments where when you are 22yo, life is more black and white, while when you get older there is a lot more grey.   But I digress…

Everybody Wants Some is the new Richard Linklater film set in the 80s on a Texas college campus just days before the beginning a classes around early 1980s.  There is a fraternity of baseball players and the movie shows a rookie joining in.   Linklater did Boyhood, but also the Before Sunrise series of films, and Me and Orson Welles (I do like some of his work).  This is kind of a sequel to Dazed and Confused set in the 70s, also.     And to follow up on the point made earlier, the 22 yo watching this won’t relate to a phone cord stretching into a single dorm room, and someone having a $300+ phone bill.  Phone cord?!   What’s that?!   They won’t laugh at the hair styles and the too-tight short shorts the guys are wearing.   So there are some nostalgic moments of going back to the 80s.   This film is a series of scenes with these young men (18-23yo) who have facial hair that men much older would envy, but who are getting through the few days left before class (which is periodically addressed by countdown reference at various times).   You get to know the guys in the dorm, and the girls that they like and how they act.  There is Animal House type hijinx and some clever and funny practical jokes.   There is also conversation about very little – and times of being rather slow.   As you jump from one sequence to the next, some are funny, some are less so.   There are times of reflection on where they all fit in, and how anyone who isn’t playing a sport can really attend school – to “sit behind a desk for the rest of their life”.
This was not a great film.  There are no name actors (I did not recognize one of them) but they were good and effective.   The storyline is okay, but it doesn’t have a lot of time in the movie sense to go very far (how much do any of our lives change in less than a week) and so there is much of a destination.   Perhaps it is set up with a sequel in mind.   Perhaps it is meant to just be a slice of Americana at a funny period in time.   I chuckled.   I laughed.  I saw cars that made me smile (like a Gremlin!) — and now it is over and I write about it, I likely won’t speak of it again.   I am thankful my older kids did not see it, as I can only imagine how they would have reacted – because I felt that way and I GOT the inside jokes!!!

April 25, 2016

The dark sceptre of high expectations impacted my weekend movie experience again.   It is the dreaded situation where you read the reviews, talk to a few people who have seen the movie and everyone seems to be raving about it.   You plunk your movie money down and see the film eagerly awaiting the lights to dim.   Then they do, and you watch, sinking ever more into your seat knowing that it didn’t live up to how you expected.

The movie in question for me was Jungle Book.  This live action/CGI film by Jon Favreau is a reboot of the earlier Disney cartoon based on the Rudyard Kipling book. The reviews (and rottentomatoes) have uniformly praised this film.    The voices of known stars like Ben Kingsley, Bill Murray and Christopher Walken are all well integrated.  There is some humour, mostly from Murray as you would expect, and the animals generally talk.   There is the young Indian star in the film who is quite good.   I never saw the entire animated film before, so I was not familiar with the story.   I went with girlfriend and her daughter and they both were more familiar.   I knew the songs (Bear Necessities and I Wanna Be Like You) but that was about it.   Here the songs with the talking animals just seem out of place.  They interrupt from the otherwise straight story-telling.   But tell me why is that some of the animals can talk and others can’t?   Mowgli even asks one, what his “language” was.   Curious.  If animals can talk – even the smallest of mice – then why not all?
Idris Elba, your boyfriend, sounded more and more like Liam Hemsworth I have to admit, but he had an effective role.   There are some unique messages here, like the power of man, and man’s ability to impact on the environment, both the good and the bad.   Further messages about cooperation and peace too.  Still I left the theatre thinking – M’eh….this was a movie I hadn’t intended on seeing, and I went because it was given such positive reviews.

April 4th, 2016

I have avoided the hype and overly-bloated Batman v Superman to go and see the talented General Zod (cough Micheal Shannon) do Midnight Special.   It was a toss up between this and Everybody Wants Some, the 80s college baseball movie.   I feel as though I need to see Dazed and Confused first though for that.

Shannon here plays a father who is on the run early and trying to protect his son, as well as deliver him to a particular place at a particular time.   Many are trying to stop him including authorities and a Texas sect, who looks at his son and his special powers as a God.
The story is sci-fi and thriller but really about people and relationships.  Shannon is the protect-at-all costs parent who is engaged and focused completely on his son’s well-being.   He can’t explain anything, but he supports and does all for his young son.  The son struggles too, and goes on his own journey.  He is played well here by the young man.   Mom is played by Kirsten Dunst who has seemed to have disappeared since her days as Mary Jane.   I won’t divulge much more than the bare facts other than to say that the ending is a bit much.   It goes further than it needs to much in the same way that Man Up did before.   We didn’t need to see a moment that borrows heavily from Close Encounters of the Third Kind meeting Tomorrowland (and that’s kind of like it felt).   Shannon though is the real story here, and he is working on a more impressive line of roles that is the even of other good actors like Edward Norton, Daniel Day Lewis (well I am reaching more than a little bit there) but Ryan Gosling.   In 99 Homes he was really good as well as paired with same director in Take Shelter.
I also watched on Nextflix Albert Nobbs from 2011.  If you like Downton Abbey, then this film is right up your alley (so to speak).  In fact a few of the characters come from Abbey, and are also British film mainstays – like Mr Weasley from Harry Potter fame.   Glenn Close plays a butler/servant in a well to do hotel in Dublin, but is a woman in a man’s world.    She is steadily saving for her dream opportunity – to run a shop.   One day she meets a painter who changes her perspective on life and what is attainable.   Close was nominated for this performance for an Oscar and a Golden Globe.  She portrayed Nobbs on stage as well and it is a good role.   Understated, the quiet loner who keeps to themselves and wants to quietly go about their business.   The challenge of course is relationships where you have two people who are interacting (usually anyway) and this is something that Nobbs struggles with.   Plans are made, assumptions are acted upon as if this idea has already sprouted roots and was shared.   It is not.   See the look of surprise on Nobbs’ face when he visits the painter later after the painter’s wife has passed from a nasty flu going around.   There is real surprise when there is a realization about others and how they feel.   Well worth viewing and I was glad that I saw it.

March 23, 2016

It’s Wednesday, I know, so shoot me….
I did end up watching Man Up last night with Simon Pegg on Netflicks.  It is a BBC rom-com with newcomer to me Lake Bell.
The premise is simple enough, a quirky, single, 34yo woman encouraged by her older sister to “get out there” and date rides a train to London with a young woman, who carries this Self Help book.   The young woman is supposed to meet a blind date.   Lake has the book and mistakenly runs into Pegg and they have their awkward first exchanges.   They are good here, and have some chemistry, which is all important.   She gets better looking as the movie goes on, as her personality comes out and she is more endearing.   You care about her, and hope for better circumstances for her.   And I laughed and enjoyed (for the most part) the scenarios that they put these two through – including the inevitable scene where she must confess that she is not his blind date, and she “stole him away”.    These are people who are flawed, and make mistakes and act awkwardly in awkward situations.   I do believe that the ending goes too far, and it didn’t really need to.   I would have been satisfied with less, and if you see it you’ll hopefully better understand what I mean.
Pegg is good and is convincing, and plays well off her.  I didn’t know her before but I do hope to see her again.   Not everyone has to look like Margot Robbie to have a film career, heck look at Melissa McCarthy coming out with yet another silly movie (taking the thrown from Adam Sandler).   Anyway, happy viewing.

March 7, 2016

I was getting caught up on films this past weekend and caught the following:

– Dead Pool in the theatre
– Me and Earl and the Dying Girl
– Take Shelter
– halfway through 99 Homes
– last episode of new season X Files
Of those that I watched I had the most fun with Dead Pool,  I am generally not a superhero kind of guy.   Well, beyond Batman (Christian Bale) and Superman and maybe Spiderman (Tobey McGuire).  But here is an anti-superhero.  Ryan Reynolds plays the poor sap who has the mutation done to him and he also has some of the best one liners in a long time (much like the mutterings of Popeye under his breath).   I had fun at this film and some good laughs and that is what it is all about at times; entertainment.   This is an edgy, crass, crude and violent film.  Good to see Toronto skyline in places.    Interesting too to see the wife from Homeland, who wasn’t afraid of nudity there, also show it here…and their calendar celebrations were quite clever (I liked Halloween myself in particular!)
On Netflix, I watched Take Shelter with Michael Shannon and felt that this was very good work for a simple story well told.  I am also a Jessica Chastain fan and felt that she brought a lot here too.  Support and love for he man, but also a concern over what has been happening to him, and that he won’t share.   She tries to understand his behaviour but he is having his dreams weigh on him more heavily every day.   He dreams of storms and catastrophic events in great detail.   Then he begins preparing his family but cleaning up an existing old tornado shelter (and even expanding on it).   It speaks to mental illness and impending doom situations.
Michael Shannon again stars in 99 Homes and his role was praised far and wide (except at Oscar time).  I am not finished this film but am enjoying where it is going.  It is a very good compliment to The Big Short and a view on what happens on the ground as people are evicted and banks take over possession.  There is a great speech here about “winners and losers”.   This should be mandatory viewing for all of the boys on Wall Street and Rating Companies involved in the whole mess.
X Files (tv) was building more of a case and working towards Season 2 with a cliff hanger ending.   It is about alien DNA and how the planet is going to be cleansed.  Interesting stuff and Scully is the focal point which is a very good thing as she is now the much better actor.
Saturday night was Me and Earl and the Dying Girl which I had read good things coming out of Sundance.  The Rottentomatoes buzz was not as good as there was a feeling of manipulation there, and that is very true.   I liked the performances and you care for, and feel for the guy who is a Senior, living on the edges of his high school world, but then is forced to engage with a fellow female student who has been diagnosed with leukemia.   Many heart strings are pulled and multiple opportunities to solicit a tear, but it didn’t go too far into cliche.   For the most part anyway.   I liked her, and I liked how Earl and the main guy interact.   Was I entertained?  Yes.  And did I talk back to the TV screen as things were unfolding?  Yes.   And I liked Prom Night, and then I didn’t.   But for different reasons.   All this to say that it was worth staying up a little later than I wanted to finish this film.

February 29, 2016 – Oscar musings, Post Script

I had mixed feelings while watching the Oscars last night.  I only saw the beginning and end due to a hockey conflict.   I saw up to Alicia Vikander winning (much to my delight) and then re-joined when Best Actress was being handed out, and beyond.    I missed Best Supporting Actor but actually quite liked the choice with Bridge of Spies actor here, Mark Rylance.

I was elated with Brie Larson and Alicia.   I was despondent about the Best Picture choice of Spotlight.  It is a rare occasion indeed where Best Director and Best Picture are split.  More rare when Best Actor and Best Director and Picture are split.  Giving the main prize to Spotlight, which was a simple story with a great cast, where no one was particularly put through their acting paces, smacked of attacks against the Catholic church.  It has been done before, but it is sad when politics and religion can from one perspective cloud one’s mind over a great films.  Spotlight was NOT the best film of the year.   Not even close.   It may not have been a banner year, but it was not it.  For me, The Martian and The Revenant were more impactful.  I am distressed that The Martian didn’t get any Oscar love.
While I am happy (relatively) that Leo won his award, it was for a body of work.   This performance had not enough dialogue and too much crawling around on the snow covered ground.   It was an endurance test.   RogerEbert.com had a good piece on why giving him an Oscar for that performance was bad for acting.   I agree with the perspective.   Basically he argues that losing weight, or punishing ones body for your craft shouldn’t be enough.   So for this I am smiling for Leo, but sorry for the message that it sends out.
I liked Chris Rock.   He identified the elephant in the room early about the White Oscars, but rightfully used humour and parody to diffuse the issue and bring it back into perspective (not many non-white nominees in the 60s either, but they were too busy worrying about grandma swinging from a tree, or being lynched or raped).   And I liked the laugh about quitting the gig – “only those without jobs tell you to quit a job”.   Funny.   Tattooed Whoopi was front and centre because she worked on the parody clips.   Okay.
Overall some cheers and smiles.   I still think that Ridley Scott gets snubbed far too often.  I am glad that Alicia won a well-deserved award.   The more I see Rooney Mara, the more she creeps me out.
As far as the dresses are concerned, Sairose Ronan was amazing, along with Olivia Wilde, and Alicia Vikander herself.   Plenty of plunging necklines and side boobage action!   I was thankful for a hockey break in between.
On to next year!

February 22, 2016

This weekend was seeing Black Mass, a film that had much buzz and hype going into TIFF.   For me I also see what the reviews on this film really were driving at.   They were unsure about the journey the filmgoer was taken on.   I was distracted by Depp’s blue eyes and general strange appearance.    This is a character that was portrayed by Jack Nicholson in The Departed.   Here we have more “historical” facts about the man but many of those are debated and debunked.   Those who were close to the man were not consulted for the film.    So there is a series of events in this man’s life and you see those around him.   It’s been done better and more satisfying.   I am glad that Depp did not get a nomination here.   The voters were right.   I continue to be astounded by stories of the police and FBI being complicit in this and supporting a “partnership” that favours one gang over another.    Not really serving the greater good for the citizens of Boston I don’t think.

I watched a movie last night and frankly, it was not a good movie – I Give It A Year, was an unhappily married couple making their lives miserable and realizing that they don’t belong together.   Rose Byrne is in it, and the blond guy from TV (The Interogator or something) and Minnie Driver (who I like) acting terribly and horribly for the entire picture.

February 16, 2016

There is a recurring theme in recent biopics with musicians which show that celebrity and fame also show the necessary drugs and alcohol.  I am not sure whether creative people by wiring or definition can abuse themselves more to be ‘creative’ or help with the process.   Certainly Glenn Fry had his issues as an artist.  For movies, look no further than Ray, or Walk the Line, or Sid and Nancy or any others in the genre.   Amy is a more realistic portrayal of the life of British jazz singer and star Amy Winehouse.

She had an amazing and distinctive voice.  She was driven by her music and had a passion for it.  Then celebrity hit, and relationships occurred that shaped and impacted her.   She was surrounded by an entourage then, and enablers and yes-men (including her father) who pushed her and drove her.   Even when it was clear that she had a real problem, with alcohol, bulimia and hard drugs there would be handlers who just looked the other way.
It is sad to see.   She was screaming for a break, and to get away from the fame and paparazzi.   She was also in a relationship with a guy who initially had left her, but then came back as fame and fortune grew.   They married.   He was a dick.   Still is.   This is a sorry tale.   Sadly a bright light was doused at the tender age of 27yo.   Sure, everyone takes responsibility for their own actions and their own bodies – but there has to be a touchstone or someone to keep the artist grounded.    As a result, the world loses out on someone who had a gift.   I felt for her in the end and wished that someone would have stepped in.   An interesting film to catch on Netflix.