September 21, 2020

TIFF has completed for this rather strange year with limited films, but more accessible viewing. The list of of award recipients is here:

I have to admit to being surprised that Nomadland won the People’s Choice Award. Previous winners often go on to obtain Golden Globe and Oscar consideration. For me as I had indicated in my review last week, I found this slow and didn’t see a significant journey for the McDormand character to travel, certainly emotionally rather than physically in her case. She seems to finish the way that she has started. Maybe that was the point. But for me, I would like to think that even the disenfranchised are able to connect with other people and feel something. In the end, there were not as many movies to choose from and I really wonder whether 2020 should have an Oscar asterisk (like the Homerun asterisk for Roger Maris) to indicate a significantly smaller field of choices. But the choices have been made and I expect that if there are awards to be handed out, a number of the films highlighted will be a part of them.

On Crave there is the HBO series entitled Love Fraud. It is a four-part series that looks to uncover the activities of one Richard Scott Smith, who goes by the various names of Mickey, Scott or Richard. Smith is a convenient last name because he is able to blend in with the crowds. He is a polygamist, married 11 times, twice to two women at the same time and leaves a trail of destruction behind him. He takes money and preys upon women when they are vulnerable with grandiose stories of exotic locations, business opportunities, fancy cars and boats. His typical process starts with dating apps and moves into karaoke bars engage with these women. The series begins with a couple women scorned who engage the services of a bail bonds-person, in this case a woman. Richard has outstanding warrants for his arrest in two states. The stories of these women, and his continuing activities are the focus. I was astounded at the lack of ability for those involved to seemingly take any action. It is a cautionary tale for those who date, especially using apps where the person on the other side is largely unknown. Rather than have someone lie to you about their age, weight or size, this is exponentially more sinister than that. It also speaks to a legal system overwhelmed with cases, and there is simply no time to chase after a character like this. Once he marries these women (often in record time) then he proceeds to look to his economic motives, and can turn into a controlling and abusive person. The fourth episode by far is the most compelling of them all. I won’t give away what occurs but it is a fascinating perspective on what had transpired and how different people can view the underlying facts and circumstances over time. Throughout this I was cheering for someone to success against this guy and I had absolutely zero empathy for him at all.

This weekend I also revisited a couple old friends The Adjustment Bureau and Adrift. Both of which I enjoyed once again. I maintain that the opening sequence of Matt Damon and Emily Blunt in the hotel bathroom is one of the best examples of on screen chemistry that I have seen. Adrift was revisited to see the scenery and the nice yachts. Some of us live and work in cubicles, others take different approaches as to how to spend their time on this earth. Some of us then have an opportunity to experience what sailing through a hurricane in the middle of the Pacific Ocean would be like and floating for 41 days.

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