Saturday Night: Saturday Night Live is into their 50th season, and while having some ups and downs over the decades it is regarded as an iconic series of sketch television. Hollywood stars like Eddie Murphy, Chris Rock, Bill Murray, Kristen Wiig, and Kate McKinnon are all alumni. But it wasn’t always this way. Back on October 11, 1975, producer Lorne Michaels was green lighted by NBC to put together a late night show with a bunch of unknown twenty-something comedians for a show that was anything but fully baked. For the first episode, Michaels had lined up comics, like George Carlin to host, a number of musical acts, and sketch comics from places like Second City in Chicago. Among the now familiar cast included Gilda Radner, Lorraine Newman, Dan Ackroyd, Chevy Chase, Jane Curtain, Garrett Morris and John Belushi. Acts on the sidelines included Billy Crystal, who later joined the cast in 1984.

The film which premiered at Teleride Film Festival in August, is directed by Ivan Reitman’s son Jason. Ivan worked with many SNL actors and those behind the scenes like Harold Ramis. The movie focuses on the disorganized chaos in the hours leading up to the live show airing at 11:30PM that fateful night. There is Michaels trying to organize the show by segments on the main storyboard, the actors becoming familiar with their roles, and the NBC brass, who we learn was expecting and hoping for this to be a massive failure and continue to negotiate with Johnny Carson who was the King of Late Night. The viewer knows where all of this will lead but it is a colourful journey.

I think that this movie did a find job of finding actors to play those people who starred in the show. I think that those portraying Belushi, Ackroyd, Morris (the BMO advertising guy), Newman and George Carlin were excellent in how they looked and sounded. The movie made no attempts to dissuade the feeling I had had for years that Chevy Chase was and is an asshole. Plain and simple. From NBC workers refusing to help set up the brick stage, to the refusal of Belushi to sign his contract, to the roles played of guests Andy Kaufman and Jim Henson with the Muppets, it all seems so very unbelievably chaotic. One wonders just how long Michaels had been given to bring this together. The sheer number of people expected to be on stage for the program was unreal. Dick Ebersol who co-created the series with Michaels isn’t really shown in a favourable light, despite calling out what seemed to be obvious to everyone else but Michaels. In the end, for those who are fans of SNL, you will get some insight into putting together a variety show, and doing it all live before an audience who wasn’t really clear what they would be seeing. There are some surprise cameos throughout and a few chuckles. I was not rolling in the aisle, but it made me laugh a few times. Is it a big screen movie? No, not really. This would be just fine on the smaller screen.

The Penguin: I have seen three episodes of this new series focusing on the Penguin character that was introduced in the modern Batman films in the Robert Pattinson version from 2022. Although the movie focused more on Paul Dano’s The Riddler, Colin Ferrell was present too. This series speaks to the backstory of this Penguin. First and foremost, in the film I was surprised to realize that the person playing The Penguin was actually Ferrell. His face, voice and body were tranformed into this unique character. Of course the Penguin has been played memorably in the past by Burgess Meredith (with his monocle, purple top hat and cigarette holder) as well as Danny Devito for Tim Burton.

Farrell plays the Penguin and a middle management worker in a crime family who wants more for himself and his reputation. He is willing to risk it all by inserting himself into a mob family war, by being the instigator for it. He plays an integral part to the happenings all the while showing himself to both side as being an invaluable asset with inside information. He uses people to get his own way and to promote his own self interests. It has been a slow burn as he becomes closer to the sister of a fallen Falcone member after the death of the head of the Falcone family. Sofia Falcone is played well by Cristin Milioti, who I remember from the Broadway musical Once. She plays an intense woman, who has previously been mistreated by being placed in a sanatorium, but it debatable whether she really needed it. She too is looking to become more relevant and exert her influence in a mostly all-male dominated mob world. She has intense almost black eyes.

I am still struggling trying to get into this series. Yes I know that the focus is the backstory of a mob character. But this is a Batman Gotham world. I am missing that Batman piece, where he isn’t even mentioned. The episode where the walls of the city are bombed by the Riddler to have the city flooded, still has no mention of the caped crusader. Yes, there is intrigue with the Penguin and he actions, crossing both of his supposed masters in a performance by Farrell that is really good. I just wish that he had more to work with. Maybe this will pick up the pace, but for me I am hoping that it is sooner rather than later.